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    Bravo

    January 15, 2012 canvas, Co-position, digital-to-material, LGRU, paper, printing

    Bravo was the first WYSIWYG editor (…) Previous editors rarely made any attempt to match the display to the printed page; this meant that users could not check whether they had formatted the document correctly, except by printing it out.1

    The Xerox Alto (1973) for which the Bravo text editor was developed. Photo: Martin Pittenauerm, Creative Commons Attribution-Share Alike 2.5 Generic license.

    1. Newman, W. (2012). Design case study: The Bravo text editor. Interactions, 19(1), 75-80
    ← Meaningful transformations Word, Work →
    ← Design practice, Free Software and feminisms. Fed by and feeding into various activities, networks and collaborations ↓ →

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  • Revealing Errors We reveal errors that reveal technologies, learning how they affect our lives.
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  • Urban(e)(istiques) Anomalie(ën)(s) Bru(x)(ss)el(le)(s) through the eyes of Peter Westenberg
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  • mathieu-g Mathieu Gabiot: Designer Industriel
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  • Manufactura Independente
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  • You are here / Vous êtes ici The online guide to Seda-think
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  • De Geuzen: a foundation for multi-visual research
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  • Consentsus A critical feminist theory of consent
  • OSP-BLOG Open Source Publishing – Graphic Design Caravan
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  • Constant Feed

    RSS Constant

    • Constant Padology 25.01.2023
      The article Constant Padology focuses on an essential component of Constant's tool-ecology, a simple piece of software that has permeated most activities and practices, from internal organization, to collective writing situations and publishing efforts: Etherpad. Constant's Etherpad-lite installation has been a technical companion for nearly ten years now, and is a fundamental tool in our […]
    • SPLINT Print&Play-Party 12.01.2023
      For the next five years of its program, Constant is asking: What could/should Speculative, Libre and Intersectional Technologies (SPLINT) do? To start finding the language and open up our thinking around these questions a deck of cards, the SPLINT cards, were created by Constant and allies. This first version of the card game was tried […]
    • Platformization + Allagmatics 11.01.2023
      Constant member Martino Morandi gave a guest session Platformization + Allagmatics in the context of the research project Ethics and Aesthetics of an Open Server organised by Peter Westenberg, hosted and supported by KASK school of Arts in Gent. The Ethics and Aesthetics research investigated how 'open' can a server be ? "Servers are the […]
    • Now, think of a question that is at stake for you 10.01.2023
      Opening installation: Thursday 26 January 2023 from 18:00 on Workshop: Sunday 5 March 2023 from 14:00 to 16:00 rosa (they, them) is a feminist server that travels between different locations, providing a mobile infrastructure for learning, documentation, and experiments for the meetings that happened during the A Traversal Network of Feminist Servers project. rosa is […]
    • Open call for the symposium : Cybioses – life in the future imperfect 10.01.2023
      Between 2 and 5 March 2023 Constant will collaborate with JV 24 and SpecXcraft on a winter symposium about "slow futures" called Cybioses – life in the future imperfect. The full open call can be read here: https://www.nsuweb.org/study-circles/circle-2-cybioses-life-in-the-future-imperfect/ An excerpt: We invite scholars, artists, students, technologists and other professionals working or writing on future technologies […]
    • Innoviris 06.12.2022
      SpecXcraft - Support
    • War Machines against the War Machine 17.11.2022
      Projection of the movie “Machines in Flames” (50min) and debate with: Andrew Culp, Dana Papachristou and Brett Zehner The movie recounts the history of the CLODO group, that mysteriously brought on a series of attacks to the computing industry in Toulouse in the 80s. In an open-form panel, Andrew Culp, Dana Papachristou and Brett Zehner […]
    • SpecXcraft 26.10.2022
      Speculative crafting for un/common futures, or Specxcraft for short, is a co-creative, artistic research project between 4 Brussels-based organisations: Urban Species, Natagora, Centre Vidéo Bruxelles and Constant. Using concepts from SF (sci-fi and speculative fabulation) and methods of crafting and prototyping the project tries to find answers to the following research question: Can fostering a […]
    • Constant is looking for a new colleague 26.10.2022
      Constant is looking for an individual (x/f/m) who will contribute from her.his.their artistic experimental digital practice to the development of Constant's programme, and the feminist and intersectional perspectives we advocate. Constant's work focuses on sharing, collaboration and knowledge transfer, as, for example, the culture around Free Software can do. Besides contributing to the artistic programme, […]
    • Looking for a shared workspace? 25.10.2022
      Collective space looking for additional members! A collective space of more than 200m2 is slowly taking shape in the neighborhood of Koekelberg, Chaussée de Jette 388. Inhabited, for now, by artists, collectives and researchers working around technology, visual arts, architecture and urban space, we are looking for 1 or 2 additional members. We are still […]