Tuesday 4 October 20:00 – 22:00 @ Varia, Rotterdam (NL)
https://varia.zone/booklaunch-volumetric-regimes.html

“This radical multi-form collective investigation traces the cutting edge of how bodies and subjects are rendered technologically. It proposes multi-dimensional forms of intervention, and claims an experimental horizon of the possible, shattering the mantra of unavoidability.” — Olga Goriunova

Six years of trans*feminist disobedient action-research on 3D technologies, paradigms and procedures culminated in Volumetric Regimes: Material Cultures of Quantified Presence (Open Humanities Press 2022, DATA-browser series, eds. Geoff Cox and Joasia Krysa). Compiled by Possible Bodies (Femke Snelting and Jara Rocha), the publication brings together diverse materials on the political, aesthetic, computational and relational regimes in which volumes are calculated. The book foregrounds technological practices that invite widenings of what is possible. With contributions by Sophie Boiron, Maria Dada, Pierre Huyghebaert, Phil Langley, Nicolas Malevé, Romi Ron Morrison, Simone C. Niquille, Helen V. Pritchard, Jara Rocha, Sina Seifee, Femke Snelting and Kym Ward.

The event at Varia celebrates the wiki-to-print paper edition designed and developed by Manetta Berends. It is a special moment in an ongoing multi-local launch, made up of playful contributions, informal responses and interactive formats proposed by comrades in the making of technosciences otherwise.

The evening starts with a performative introduction by the editors, followed by an intervention by designer, artist and researcher Alex Zakkas in conversation with Manetta Berends.

To download the pdf and/or order a paper copy on-line: http://data-browser.net/db08.html
Books will be sold at the event at a reduced price.
All materials have also been published on a dedicated wiki: https://volumetricregimes.xyz/

AIrot is looking for an Ageing Software Worker. Join our Rancid Prediction Engine PDP, REPEL & SOS teams!

… a job-fiction by Possible Bodies, editada por Daniel Gasol para A*Desk

[ENG] https://a-desk.org/en/magazine/death-to-deadly-freshness-long-live-lively-corruption/
[CAST] https://a-desk.org/magazine/muerte-a-la-frescura-mortifera-larga-vida-a-la-viva-podredumbre/
[CAT] https://a-desk.org/ca/magazine/muerte-a-la-frescura-mortifera-larga-vida-a-la-viva-podredumbre/

29th March, 17:30-20:30 / Possible Bodies feat. GOB GOB
@Theory Stairs, FedLev Building (Gerrit Rietveld Academie), Amsterdam

Six years of trans*feminist disobedient action research on 3D technologies, paradigms and procedures are about to be published as Volumetric Regimes: Material Cultures of Quantified Presence (Open Humanities Press, DATA-browser series, 2022). The book foregrounds technological practices that provide with a widening of the possible and brings together diverse materials on the political, aesthetic and relational regimes in which volumes are calculated. The ongoing multi-local launch of Volumetric Regimes is made up of playful contributions, informal responses and interactive formats proposed by known and unknown comrades in the making of technosciences otherwise.

The guided tour into Volumetric Regimes: material cultures of quantified presence at Sandberg Institute will touch upon 3D image production tools and the possible practice of dissident worlding by axes, planes, dimensions and coordinates. It will be matched with play session and screening featuring works by Ráchel Plutón and Elio J Carranza.

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Thursday, 24 February 2022
16:00 – 18:00 CET
Jan van Eyck Akademie, Maastricht + online

Reading two texts on the politics of bio-imaging, automation and 3-D computation. With Jara Rocha, Femke Snelting, Silvia Casini, Antye Guenther and Flora Lysen
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Hosted by Possible Bodies (Jara Rocha, Femke Snelting) in conversation with Martino Morandi
Center for the Study of the Networked Image, on-line.
Wednesday 3 November 13:0015:00 CET

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Ada Lovelace Day feat. Possible Bodies (Femke Snelting, Jara Rocha)
9 October 2021 @ 16:00, Medialab Prado, Madrid

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A book in the making / edited by Possible Bodies (Jara Rocha and Femke Snelting)

Contributors: Sophie Boiron, Maria Dada, Pierre Huyghebaert, Sina Seifee, Phil Langley, Nicolas Malevé, Romi Ron Morrison, Simone C. Niquille, Helen V. Pritchard, Jara Rocha, Femke Snelting, Kym Ward.

Published by Open Humanities Press (2021) in the DATA browser series, edited by Geoff Cox and Joasia Krysa. Design and lay-out implemented by Manetta Berends based on a template developed by Stuart Bailey.

wiki: https://possiblebodies.constantvzw.org/book/

Interview with Possible Bodies
http://sink.sexy/texts/rendermegrey

Jara: I am super interested in the potential of grey literature to alter those very technical documents or devices, precisely to affect how they operate. Maybe one thing we could talk about here is bug reports. These are grey documents that circulate among the practice of software-production and they operate differently from other more culturally recognisable kinds of writing.

Femke: Greyness, in the sense of evil media, is also about looking at those breath-taking software processes and 3D extractivist projects through its manuals, licenses, and bug reports. It’s a way to not get too blinded by complexity and at the same time it is a way to sense its cracks and understand their paratexts to get a handle on their structurings. You can see the slippages among different practices through the language around what works and doesn’t, what could, should, or cannot happen. You can start seeing too the limits of imaginations that are there, certain assumptions, values, and priorities. There is something very interesting about software’s grey literature. Sometimes language works and sometimes it doesn’t. You can start to look at how you can be in a conversation, directly, imaging who you are speaking with or writing to.

Jara: In relation to what Geraldine points out, this is how we can maybe understand grey matter or grey literature: a spot from where you can turn the very probable into quite possible. This is where things can be altered. Precisely because this is the place where things can be written down, where things start tracing the too probable trajectories of the contemporary structuring of matter, and can be somehow partly re-written and changed from the probable to the possible in an instant. This at least is where the probable and the possible blur, they are both there. This is the spacetime of transformation.

Femke: Where the probable and the possible co-habit… They are both there.

Chair: Danielle Arets. With Jennifer Kanary and Luis Lobo Guerrero.

September-November 2018: 소마토폴로지 at Seoul Mediacity Biennale, as part of Monoskop Exhibition Library

September-November 2018: Somatopologies at the 4th Istanbul Design Biennial

July-September 2018: Somatopologies at Constant_V, vitrine of Constant, Brussels.

Somatopologies is a movie-in-the-making which contains 3D-renderings of diverse densities, wondering about the regimes of truth that converge in volumetric biomedical images. There is a coalition between tomography and topology at work to align math, flesh, computation, bone, anatomic science, tissue and language. But when life is made all too probable, Possible Bodies asks obliquely: what other “bodies” can be imagined?

Somatopologies moves through the political fictions of somatic matter. Rolling from outside to inside, from a mediated exteriority to a computed interiority and back, it reconsiders the potential of unsupervised somatic depths and (un-)invaded interiors. Unfolding along situated surfaces, this post-cinematic experiment jumps over the probable outcomes of contemporary informatics, towards the possible otherness of a mundane (after)math.

Somatopologies is a trans*feminist exercise in and of disobedient action-research. It cuts agential slices through technocratic paradigms in order to create hyperbolic incisions that stretch, rotate and bend Euclidean nightmares and Cartesian anxieties.

What does a feminism that has adapted to technological mediation, abstraction, the virtual, and complexity look like? And what are the new forms of occupying, segregating and contesting space that automation can facilitate? Femke participates in a debate organised by the Royal Academy, London in the context of International Women’s Day. With Marina Otero, Nina Power, Ellie Cosgrave, Susan Schuppli and Grace Quah.

View online : https://www.royalacademy.org.uk/event/automated-environments

In the framework of the exhibition The Materiality of the Invisible, Femke has been invited together with Eyal Weizman to dig deeper into the topic of the relationship of objects – and their devised narratives – to the body and social, political, technological or cultural power-structures, a recurring theme in the exhibition.

Eyal Weizman reveals the materiality of the immaterial narrative, blurring the distinction between objects and subjects. Femke will talk about the industry of bio-medical imaging, digging through software environments that interface with CT, MRI and PET-scans.

https://www.janvaneyck.nl/nieuws/eyal-weizman-femke-snelting/

This summer, the Possible Bodies inventory travels to Hangar (Barcelona) to mutate with local affinity networks and communities of concern. During a two-week residency, the collective research will focus on biomedical 3D imaging and how it models, scans and renders “real bodies”. Possible Bodies is concerned by the merging of pharmacopornographic, Hollywood and military industries. In this techno-colonial and hetero-patriarchal landscape, violent ableist, misogynous and xenophobe representations keep emerging. Through fictional accounts of actual open source projects such as 3D-Slicer, ITK and echOpen, we want to ask how biomedical imaging composes, displaces and segments “bodies”.

Simultaneous movement and space chords (Noa Eshkol)

This edition will be dedicated to a collaborative dissection of the BioVision Hierarchy file format. BioVision Hierarchy (.bvh) is an ASCII file format used to import data from various motion capture systems into 3D-animation software. It was developed in the mid-nineties and remains one of the most commonly used file-formats for transposing movement captured in physical space, to a computational environment. Around this relatively legible format, a rich ecology of software tools developed. The file-format functions as a boundary object between practices and bodies, as it is used by animators, game developers, interface researchers, medical professionals, dance-historians, sports-analysts and engineers.

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Feedback submitted on Monday 2 May 2016, 09:00 CET to http://www.unicode.org/review/pri321/

Opt Subject: Issues with modifier mechanism, UTS #52

We are submitting these comments to the Proposed Draft UTS #52, Unicode Emoji Mechanisms because we think there are serious issues with the general implications of the modifier mechanism that was already introduced in Unicode 8 with Skin Tone Modifiers. We believe UTS #52 possibly contravenes both the mission and bylaws of the Unicode Consortium. We wish to identify issues that we hope will have an impact on decisions and future policies. We suggest a reconsideration of the underlying logic of the modifier mechanism as applied to emoji.

These comments were formulated by an international, multilingual group of researchers working in the field of software and media. We investigate and produce a wide-range of projects around the role of standards and the politics embedded in infrastructures of communication, and are using emoji intensively in our communication. We are thus deeply concerned about the directions that emoji related standards have taken so far, and are being proposed to take in the future.

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Her, Spike Jonze (2013)

What if instead of a throaty Scarlett Johannson, Spike Jonze had dared to make Theodore fall in love with a synthetic voice?

It.txt (save file as It.sh)