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    How to communicate libre graphics?

    December 21, 2012 communication, Conversations, LGRU, Madrid, Vocabulary


    Brainstorm by participants in the workshop Estación Nómada de Diseño (Libre Graphics Workstation) at Central de Diseño /DIMAD


    Image: Myriam Cea

    ← Interoperable play Flyers at FOSDEM →
    ← Design practice, Free Software and feminisms. Fed by and feeding into various activities, networks and collaborations ↓ →

    Affiliations

    • a.pass
    • Active Archives
    • Akademie Schloss Solitude
    • Constant
    • De Geuzen
    • LGRU
    • Libre Graphics Meeting
    • Memory of the world
    • Mondotheque
    • OSP
    • Possible bodies
    • Samedies
    • The Darmstadt Delegation
    • Uncategorized
    • Ustensile
    • xpub

    Links

  • OSP-BLOG Open Source Publishing – Graphic Design Caravan
  • aaaaarg
  • artlibre.org
  • Domainepublic
  • Fudge The Facts
  • Adashboard
  • videomagazijn
  • Myriam Cea
  • Matthew Fuller
  • Automatist
  • Towards
  • Potential Estate The most public secret society inspiring new folk rhymes
  • Libre Graphics Meeting
  • calligraffiti
  • Open Font Library
  • Amateur Archivist
  • Hackerspace Brussels
  • WVW
  • Foomarx Reinventing Lorum Ipsum
  • Ludivine Loiseau
  • Trashwiki
  • Manufactura Independente
  • Waend A platform for subjective and collaborative spatial publication
  • Le Syndicat des Robots
  • b-l-u-e-s-c-r-e-e-n
  • http://l-o-c-a-l-h-o-s-t.com/
  • OSP Open Source Publishing
  • Open Source Video
  • Memory of the World The world’s documentary heritage belongs to all
  • Radio Panik 105.4 fm
  • Jeanne van Heeswijk
  • Martha Rosler Library
  • El museo del autor
  • Artwarez Cornelia Solfrank
  • Archive Cultures
  • 404: School Not Found
  • Speculoos Centre de spécialités graphiques
  • LAFKON Publishing
  • Urban(e)(istiques) Anomalie(ën)(s) Bru(x)(ss)el(le)(s) through the eyes of Peter Westenberg
  • Olia Lialina
  • Revealing Errors We reveal errors that reveal technologies, learning how they affect our lives.
  • +H+
  • Information Observatory
  • Missdata
  • Permutations
  • – o r a m a
  • Medialab Prado Madrid
  • BxLUG
  • Rear Window
  • Sabine Voglaire, Harrisson, Prof Papiko
  • F.A.T.
  • SICV Scandinavian Institute for Computational Vandalism
  • <stdin>
  • Constant Verlag A repository of texts from the depth of the Constant Archives
  • Yi Liang
  • GRAPA A journey to the promised land of FLOS publishing
  • Girls of the internet museum
  • Dragan Espenschied
  • Copy Cult
  • Consentsus A critical feminist theory of consent
  • Feral Trade Trading goods along social networks since 2003
  • mathieu-g Mathieu Gabiot: Designer Industriel
  • De Geuzen: a foundation for multi-visual research
  • textzi.net
  • Constant Association for Art and Media
  • Rotor
  • Genderchangers
  • Femmes et logiciels libres
  • rmozone Robert Ochshorn
  • You are here / Vous êtes ici The online guide to Seda-think
  • Scumgrrrls
  • Foam
  • a.pass

    • Constant Feed

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      Conventional intellectual property law binds authors and their hybrid contemporary practices in a framework of assumed ownership and individualism. It conceives creations as original works, making collective, networked practices difficult to fit. Within that legal and ideological framework, Copyleft, Open Content Licenses or Free Culture Licensing introduced a different view of authorship, opening up the […]
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