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    LGM 2012

    May 9, 2012 Abstracting craft, Co-position, Conference, LGRU, Libre Graphics Meeting, Networked graphics, Piksels and lines, Report, Vienna

    This year I could only make it for a few days to LGM, but I am glad I came. First of all to meet friends and colleagues, to find out how they and their projects have been. I enjoyed getting hold of a fresh issue of Libre Graphics Magazine for example; The Physical, the Digital and the Designer is once again an excellent collection of articles, images and reviews so make sure you get your hands on it too!

    SK1 reloaded: 'Printdesign', a new tool for office printing

    I arrived just in time in Vienna to witness the birth of a Scribus GUI-team, something that has been in the making for a while now. Although the discussion at the meeting GUI of Scribus and effectiveness of work showed that developers and designers involved still are getting to grips with what this will mean for the project and it’s team-dynamics, it is a start.

    Tom Lechner's demo of a future align+distribute tool

    Unfortunately I did arrive too late for Tom Lechners’ talk Weird Layout. Using Inkscape-like align and distribute functionalities, his fresh approach to putting elements in relation to each other actually doesn’t seem that weird at all. If only it would deal with text as elegantly as it handles images?

    The Auditorium. Photo: Nicu B., 2012 CC-BY-SA

    This year’s venue for LGM was the University of Applied Sciences Technikum Wien (a brand new auditorium, cantine and several classrooms at our disposal) and ran parallel to the Linuxwochen. It made for some lively inserts but also put the lean organising team and minimalist style of hosting under pressure even more. But participants happily found their way to other places like Metalab, a hackerspace not far from the glossy MuseumsQuartier. Metalab offered us comfortable spaces for working and discussing, and a broken power plug was successfully re-soldered and taped too.

    Beautiful cusps with Powerstroke

    New to LGM were exciting projects such as Powerstroke, the result of Johan Engelen’s work on multiple width strokes in Inkscape. The construction of smooth ‘calligraphic’ strokes (always in quotation marks!) clearly benefitted from his background in mathematics. Ricardo Lafuente compiled Inkscape with it and looked *very* happy.

    HarfBuzz: A fast-moving target

    The text-shaping engine HarfBuzz takes care of lay-out at an atomic level. Behdad Esfahbod explained in accessible terms how HarfBuzz tries to simplify and make legible the process of shaping even the most complex of text-lay-outs.

    Keeping a promise: Joao delivers Brazilian chocolate for transport to Belgium

    It was also interesting to see Máirín Duffy from the Fedora Designteam at work; with her colleague Emily Dirsh she toured us through several collaboration tools for interactive design that they were thinking about and developing. Their slides on Sparkleshare, Magic Mockup and Design Hub: http://duffy.fedorapeople.org/presentations/lgm2012/workflow.svg

    And, classified as #tehweird at lgm: SoundFumble; an audio player that takes GIMP image data as input. Without taking anything away from the GIMP-experience, your favourite digital image editor can be a soundmachine too.

    I enjoyed introducing Marcos Garcia to LGM and vice versa. We did not present much of the LGRU-work in the end because we wanted to make sure that the Libre Graphics community felt as excited as we were ourselves about LGM in Madrid next year. So we used most of our time to tell some inspiring Medialab Prado stories and I think that was convincing.

    Stefanie at Mz Balthazar's Laboratory

    That evening I met with Stefanie from Mz Baltazars’ laboratory, a lab or hackerspace for women and trans. We discussed the various methods we were both using to create ‘fearless, accessible plattforms’. It was a nice and useful strategy-swap before I joined the party at Metalab.

    Over lunch on Saturday, a discussion with Kate Price, Peter Sikking, Joao Bueno and Chris Lilley about being stuck with the page-metaphor and what that means for graphics traversing from web to print and vice versa. Kate agreed that relational placement made more sense: “Measure at the point where the relationship is“. Which prompted Chris: “The problem with intelligent tools is that you end up argueing with them“. Kate also made interesting connections to CAD-software and Peter referred to Theo Van Doesberg and his idea of designing from the smallest element outwards. Hopefully to be continued.

    An invitation to Madrid at the closing session. Photo: Nicu B., 2012 CC-BY-SA

    At the closing talk, our invitation to host LGM 2013 in Madrid was accepted with enthusiasm. It felt a bit strange that we were deciding on a second European meeting while being in Europe, but still I am glad to have an opportunity to connect LGM to LGRU and the Spanish-speaking free software community. Apparently the same team of people that invited LGM to Vietnam in 2011 is working on LGM-Asia in 2014 … wouldn’t that be great?

    ← A Dictionary of Received Ideas Turning tools into instruments →
    ← Design practice, Free Software and feminisms. Fed by and feeding into various activities, networks and collaborations ↓ →

    Affiliations

    • a.pass
    • Active Archives
    • Akademie Schloss Solitude
    • Constant
    • De Geuzen
    • LGRU
    • Libre Graphics Meeting
    • Memory of the world
    • Mondotheque
    • OSP
    • Possible bodies
    • Samedies
    • The Darmstadt Delegation
    • The Underground Division
    • TITiPI
    • Uncategorized
    • Ustensile
    • xpub

    Links

  • Waend A platform for subjective and collaborative spatial publication
  • Towards
  • Urban(e)(istiques) Anomalie(ën)(s) Bru(x)(ss)el(le)(s) through the eyes of Peter Westenberg
  • SICV Scandinavian Institute for Computational Vandalism
  • Constant Verlag A repository of texts from the depth of the Constant Archives
  • De Geuzen: a foundation for multi-visual research
  • 404: School Not Found
  • Adashboard
  • Martha Rosler Library
  • +H+
  • Jeanne van Heeswijk
  • Libre Graphics Meeting
  • Consentsus A critical feminist theory of consent
  • Girls of the internet museum
  • Revealing Errors We reveal errors that reveal technologies, learning how they affect our lives.
  • a.pass
  • Archive Cultures
  • Open Source Video
  • Le Syndicat des Robots
  • b-l-u-e-s-c-r-e-e-n
  • Constant Association for Art and Media
  • Medialab Prado Madrid
  • Foam
  • OSP-BLOG Open Source Publishing – Graphic Design Caravan
  • Potential Estate The most public secret society inspiring new folk rhymes
  • <stdin>
  • WVW
  • Open Font Library
  • aaaaarg
  • El museo del autor
  • Scumgrrrls
  • Domainepublic
  • Amateur Archivist
  • Yi Liang
  • artlibre.org
  • Matthew Fuller
  • – o r a m a
  • GRAPA A journey to the promised land of FLOS publishing
  • Artwarez Cornelia Solfrank
  • Manufactura Independente
  • Foomarx Reinventing Lorum Ipsum
  • Rear Window
  • Myriam Cea
  • You are here / Vous êtes ici The online guide to Seda-think
  • Memory of the World The world’s documentary heritage belongs to all
  • Radio Panik 105.4 fm
  • OSP Open Source Publishing
  • Missdata
  • Femmes et logiciels libres
  • mathieu-g Mathieu Gabiot: Designer Industriel
  • Automatist
  • Genderchangers
  • Speculoos Centre de spécialités graphiques
  • calligraffiti
  • Ludivine Loiseau
  • videomagazijn
  • LAFKON Publishing
  • Feral Trade Trading goods along social networks since 2003
  • Permutations
  • BxLUG
  • http://l-o-c-a-l-h-o-s-t.com/
  • rmozone Robert Ochshorn
  • Fudge The Facts
  • Copy Cult
  • Hackerspace Brussels
  • Dragan Espenschied
  • F.A.T.
  • Trashwiki
  • textzi.net
  • Rotor
  • Information Observatory
  • Sabine Voglaire, Harrisson, Prof Papiko
  • Olia Lialina
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