Constant starts its worksession DiVersions with an afternoon in the Royal Museum for Art and History. Inspired by the way versions are embedded in the daily practice of software-development, we will explore tools and infrastructures that invite different and divergent histories.
The program includes two lectures and a performance. Laurence Rassel will join us to reflect on how digital archives can transform institutions. How to do things when we consider the institution as a space for encounters, creativity, possibility and risk? Organizing information is never innocent. This is the motto for Geraldine Juárez’ preemptive history of The Google Cultural Institute, an effort to “make the world’s culture accessible online”. Viewing Google Art, Google Cultural Institute and Google Art & Culture through the lense of digital capitalism, she critically tracks the evolution of services that appears at a moment in time when public institutions are increasingly de-funded.
Christine De Smedt performs a first sketch of a series of movements based on her work Untitled 4. 4 choreographic portraits. Her radical appropriations have now become historical material that could be archived in a museal context. These transformative gestures allow for new readings that are not only determined by the logic of the archive, but also by the context in which they are read.