Category Archives: Constant

A non-profit association, an interdisciplinary arts-lab working from Brussels since 1997. The artistic and activist practice of Constant is inspired by the way that technological infrastructures, data-exchange and software determine our daily life.

www.constantvzw.org

Call for participants: Collective Conditions

June 23, 2019 Constant

Collective Conditions is a worksession which experiments with the generative potential of codes of conduct, complaints procedures, bug reports and copyleft licenses. We understand these socio-technical protocols as artistic and activist media and are curious about the role they can play in the (different) imagination of complex collectivities.

By ‘complex collectivity’ we mean, for example, non-normative human constellations, or collectives where participants with radically different needs, backgrounds and agencies come together. ‘Complex collectivity’ can be self-chosen, or be the result of structural forces such as laws, racism, technology, wars, austerity, queerphobia and ecological conditions.

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The Bitflipping Mixtape launch

May 23, 2019 Constant

ATTENTION: launch postponed due to a SEU!

Broadcast Sunday 23 June from 21:00 until a bit after midnight. Place and frequency to be announced. If you bring a used cassette tape, we will make you a magnetically enhanced copy on the spot.

With The Bitflipping Mixtape, The Flipping (de)Ontologi(ci)sts set out to answer a simple, burning question: What is happening in the forbidden zone? The result was nothing short of a revelation. Finally turning all Truth Tables, The (de)Ontologi(ci)sts burrow into the past and future of Ageing Companions, a worksession that explored the interconnected ageing of bodies and technologies, to bring you this coercive statement towards Non-Coercive Computing. The Bitflipping Mixtape is a soundtrack for the summer solstice, emerging exactly one year after having observed the impact of cosmic rays on a chamber saturated with ethanol fumes. It’s a rich and messy mélange of real real new new wave, particles and particles, carrying a luminous sheen and a bittersweet undercurrent. Instead of constructing a playlist around catchy hooks and brisk 16-bar verses, the tracks revel in pregnant pauses, stop frequently to insert a BUT-gate, flip lines several times, and generally falter and stumble blindly across the middle ground of the tape’s lush production, which is characterized by thick, buzzsaw bass lines, glittering arpeggiated synths, and juicy vieillissant harmonies.

From Split Sheets to the Streets

September 25, 2018 Constant

Contribution to a symposium organised by Q-02 werkplaats in collaboration with Melissa E. Logan (University of Craft Action Thought / Chicks on Speed). With Christian von Borries, Prodromos Tsiavos, Melissa E. Logan, ooooo, Yoni Van Den Eede.

The one-day symposium and reflection day From Split Sheets to the Streets: how we credit, share and collect for intellectual property today and tomorrow will examine the worlds of intellectual property and ownership of music – beginning from the present and extending into models for the future. It aims at dissecting and reconstructing ideas of copyright, the distribution and monetisation of intellectual property, and at analysing formats for appropriation. It brings together experts from diverse sides of the copyright universe from practical publishing to sharing culture thinkers, artists and philosophers.

View online (including recording): http://www.q-o2.be/en/event/from-split-sheets-to-the-streets/

Books with an attitude @ FLAT

September 24, 2018 Constant

Presentation at the FLAT Art Book Fair of Torino:

Books deserve their hallmark “with an Attitude” when they are made with Free, Libre and Open Source Software and published under an open content license by Constant. This Brussels’ based association for art and media, collaborated with different designers to experiment the interrelation between tools, design and content. After almost ten years, the catalog now includes e-books, manuals, software-releases, workbooks, pamphlets, theory collections, literary works and a cookbook. Whether through bespoke publishing platforms, custom-made fonts and collaborative editing … each of these books plays differently with its conditions for sharing.

Rhytmic contingency

September 24, 2018 Constant

For five days, Alex Zakkas and Kurt Tichy joined the ranks of various human and machinic agents already watching over the Brussels’ Muntplein. How do different flows and different forms of power intersect on this square? Starting from their observations, Constant hosts an evening discussing surveillance methodologies and the ways in which they change as a result of technological developments. What is the relationship between preemption, prehension, and prediction? In what way are public data streams manipulated in order to prevent/stimulate/anticipate certain courses of events?

With guests Dennis Pohl and Inigo Wilkins we will reflect on the problems of the neoliberal politics of surveillance and, more generally, on the notions of control, randomness, and unpredictability and how they differ across physical, biological, cognitive, and social systems. Moderation: Femke Snelting.

An evening the context of The new local and part of Precarious Pavilions, curated by Michiel Vandevelde and produced in collaboration with the Kaaitheater and its program CITY:LAND.

11 October 2018, Brussels
http://thenewlocal.org/

The Techno-Galactic Guide to Software Observation

July 16, 2018 Constant

The Techno-Galactic Guide to Software Observation gathers methods from the Techno-Galactic Software Observatory, a worksession that took place in June 2017. It was collectively edited by Carlin Wing, Martino Morandi, Peggy Pierrot, Anita Burato, Christoph Haag, Michael Murtaugh, Femke Snelting, Seda Gürses and designed by Christoph Haag.

“The Techno-Galactic Guide to Software Observation is the obsessive fantasy of optimization turned on its head and stuck to the ceiling of a self-reflecting elevator. It is the ultimate book, with almost 300 pages of dos and don’ts, of forgotten histories and un-inevitable futures, of mindful agile actions and improvisational service architectures, of any and all things that you can and cannot imagine needing in a techno-galaxy.” ☆☆☆☆☆☆

Books 5,— and/or download at http://www.books.constantvzw.org/nl/home/tgso

Interfacing the law: XPPL

May 30, 2018 Constant, xpub

Launching XPPL: Xperimental Potential Pirate Library, Xperimental Private-Public Liaison, Xperimental Pretentious Performative Labor, Xperimental Platform for Potential Legality, Xperimental Post-Public Library.

XPPL was developed in the context of Interfacing the law, a collaboration between Constant and the Experimental Publishing program in Rotterdam. The project experiments with and openly discusses shadow libraries, piratical text collections and other forms of disobedient sharing.

XPPL interfaces and infrastructure by: Alex, Tash, Joca, Alice, Zalán, Angelika. With a guest contribution by Dubravka Sekulic.

“XPPL is a space for potential pirate librarianship aimed at people who are studying the field of media culture, or as we like to call them: knowledge comrades. This library gathers all the books and articles floating around on PZI shelves and our hard drives and memory sticks, so that they can be shared. As a web interface, it hosts a curated catalogue of books and articles, and instances for uploading and downloading. It starts at XPUB, but can go anywhere we want it to.”
https://issue.xpub.nl/06/

View on-line: https://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Interfacing_the_law_(2018)

Trans//border: Boundaries do not sit still

February 26, 2018 Constant, Possible bodies

TRANS // BORDER takes the work of Nathalie Magnan as its point of departure and looks at the relevance of her work through the creations and research of a number of artists, scientists, (h)acktivists and students who are continuing to cultivate the territories she was exploring.

As a contribution to the track Frontières et technologies et Rencontres Zelig, Femke proposed a collective exploration of three-dimensional biomedical images.

View online: http://nathaliemagnan.net/transborder

Call for participants: Ageing companions / Geprogrammeerde veroudering / Les cyborgs vieillissants

February 24, 2018 Constant

Call closes: 18 April 2018

The lifecycles of different species are linked via electronic circuits with limited lifespan: accessories that measure biorhythms or monitor the growth-rate of specimens; interactive medical implants, networked pacemakers or wireless defibrillators are an everyday reality. As minerals, plants, animals, people and machines wear out, the technologies they carry and/or are part of, age as well. Their batteries might be empty, their computer chips break down or remote monitors can no longer handle the latest update. The ageing processes of biological and technological merge and it is not always so clear whether we are faced with physical or programmed obsolescence.

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Close Encounters: Active Archives

January 5, 2018 a.pass, Active Archives, Constant

In the context of the series Close Encounters, Nicolas Malevé and Femke Snelting and a.pass researcher Pierre Rubio will discuss the long history of Active Archives. Active Archives started in 2006 as a Constant project concerned with digital archive practices of cultural institutions. The project is currently activated by Michael Murtaugh and Nicolas Malevé in the context of SICV.

Close Encounters is the name of a series of presentations and public conversations organized by the a.pass Research Centre. These light and irregular events are designed to take time to meet, listen and evaluate an idea, a project, a research or a specific point in a research trajectory. What to study? What to research? What to practice?

“Within Active Archives, we aim to set up multi-directional communication channels, and are interested in making information circulate back and forth. We would like to give material away and receive it transformed: enriched by different connections, contexts and contradictions.” Active Archives manifesto, 2006

Transmarcations Open Call

July 27, 2017 Constant

Transmarcations experiments with ways to chart heres, wheres and others. This worksession situates itself at the crossing of technolgies with geographies, life’s courses, bodies, terrains and deplacements.

Transmarcations is interested in the complexity that emerges when cartography meets bodies in transition. By bodies in transition we mean migrating bodies as well as bodies that engage in an internal process of change, like gender transitions. By taking a closer look at the situation of these bodies, Transmarcations questions the (ir)relevance of standards and the intrinsic presence of cultural codes. What tools do we use? What language, which parameters, conventions?

Open Call

We invite you to apply for this worksession. Potential participants come from various disciplines to create prototypes, visualisations and models of speculative body-terrain combinations. Bio-mappers, artists, gender- and migration-activisten, science-hackers, cartographers, data-miners, self-quantifiers … are welcome to experiment together with softwares, languages, bodies, navigation and other technologies to develop methods and practices around cartography, diagramming, mapping and technological graphical representations that create place for the extra-categorical, the complexities of contact zones in which people, terrains and other agents are related.

Thirty people will take part in the worksession. Constant already invited some guests to prepare three different cases that will be presented during the worksession. We’re looking for 18 extra participants.

You find more information here: http://www.constantvzw.org/site/-Transmarcations-.html

Worksession?

Worksessions are intensive transdisciplinary moments, organised twice a year by Constant. We aim to provide conditions for participants with different experiences and capabilities to temporarily link their practice and to develop ideas, prototypes and research projects together. We primarily use Free, Libre and Open Source software and material that is available under Open Licenses.

Practical:

Transmarcations takes place in Brussels from Sunday 3 till Saturday 9 December 2017. Participation is free and Constant provides travel costs, lunch and hosting for all participants. If you’re interested to participate, please send an email to peter@constantvzw.org with your motivation before 14 September. We will answer by 20 September latest.

The Techno-Galactic Walk-in Clinic

May 29, 2017 Constant

Do you suffer from the disappearance of your software into the cloud, feel oppressed by unequal user privilege, or experience the torment of software-ransom of any sort? Bring your devices and interfaces to the World Trade Center! With the help of a clear and in-depth session, at the Techno-Galactic Walk-In Clinic we guarantee immediate results.

The Walk-In Clinic provides free hands-on observations to software curious people of all kinds. A wide range of professional and amateur practitioners will provide you with Software-as-a-Critique-as-a-Service on the spot. Available services range from immediate interface critique, collaborative code inspection, data dowsing, various forms of network analyses, unusability testing, identification of unknown viruses, risk assessment, opening of black-boxes and more.

Free software observations provided. Last intake at 16:45

The walk-in clinic is a service provided by the Techno-Galactic Software Observatory, a worksession organised by Constant from 7-12 June.

Interfacing the law @ Cinema Sauvage

April 27, 2017 Constant

Le Festival Mondial des Cinémas Sauvages est un lieu et un moment ouvert, traversé par des courants contraires. Il cherche à rassembler des films et des démarches qui ne s’embarrassent pas des notions de propriété, de droit d’auteur ou de copyright. Consciemment parfois, via les licences libres ; naïvement souvent, n’écoutant que leur énergie.

Lors de l’événement en amont du festival au Cinéma Nova et déjà en route pour la Journée du Domaine Public, Constant présentera le projet Interfacing the law comme un outil de réflexion autour des parallèles et les différences entre le partage des films et des livres.

Let’s build a library together

April 27, 2017 Constant, Memory of the world

Let’s Build a Library Together invite des graphistes, des artistes, des théoréticiens, des hackers, des bibliothécaires et des activistes à joindre les forces pendant une semaine intense de discussion, prototyping collectif et d’échanges autour des avenirs des Bibliothèques Publiques dans l’ère numérique.

Femke Snelting contribue à cet atelier initié par la Public Library/Memory of the World et l’Institute for Contemporary Art à Graz.

Testing the testbed

February 16, 2017 Constant

As a preparation for and critical evaluation of a proposal by Princeton University for a Internet of Things Inspector, participants from Constant, Dyne:BXL, Cosic Leuven and others gather in WTC25 to do code inspection, compare the Princeton proposal to Dowse and develop heterogeneous approaches to “smart” computing.

The Clouds are Not an Option

January 4, 2017 Constant

Data-driven systems do not arrive from nowhere, into the world like magic. Like all technologies their development and deployment follows particular historical trajectories and continuities which are influenced by larger forces. In contrast, most of the research on ‘social impact’ has drawn attention to the micro-effects of Big Data: the invasion of personal privacy, their non-transparency, and how they can lead to unfair discrimination between citizens or consumers.

These framings do not recognize the way in which these larger infrastructures are put into place, but rather assume that the clouds, with all the accompanying labor, material and financial practices, are vast, illegible and inevitable. As a result, possibilities for intervention seem to be limited to tweaking algorithms or putting constraints on data collection and processing, leaving the clouds untouched. In this meeting, we hope to sharpen our research agendas in a way that allows us to identify potential collective inquiries informed by political economic, geopolitical, or techno-infrastructural perspectives to engage the cloud.

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Disobedient action-research

January 4, 2017 Constant

As a contribution to a symposium on design research organised by the department of design at the Hamburg University, Femke introduces the Technogalactic Software Observatory (TSO), a temporary study center, poetic training camp and walk-in clinic that Constant will open in the World Trade Center this June.

The TSO invites artists, activists, engineers and designers to dive deeper into the social, economic and political aspects of the various softwares they practice. How can we understand the ideological orientations of software? Are there ways to talk about technology beyond programming languages, innovation-speak and solutionism? What if we study digital networks, software and services based on their artistic quality, poetic potential, solidarity or intersectionality?

The TSO employs performative and collaborative action-research methods for intervention in technological processes. It invokes disobedient practices of remediation, from academic paper to bugreport, from interface experiment to critical fork. In an action-based approach, the passive imaginaries of the probable mutate into active imaginations for the possible.

DiVersions – an afternoon in the museum about collaboration, divergence and the digital archive

October 6, 2016 Constant

Constant starts its worksession DiVersions with an afternoon in the Royal Museum for Art and History. Inspired by the way versions are embedded in the daily practice of software-development, we will explore tools and infrastructures that invite different and divergent histories.

The program includes two lectures and a performance. Laurence Rassel will join us to reflect on how digital archives can transform institutions. How to do things when we consider the institution as a space for encounters, creativity, possibility and risk? Organizing information is never innocent. This is the motto for Geraldine Juárez’ preemptive history of The Google Cultural Institute, an effort to “make the world’s culture accessible online”. Viewing Google Art, Google Cultural Institute and Google Art & Culture through the lense of digital capitalism, she critically tracks the evolution of services that appears at a moment in time when public institutions are increasingly de-funded.
Christine De Smedt performs a first sketch of a series of movements based on her work Untitled 4. 4 choreographic portraits. Her radical appropriations have now become historical material that could be archived in a museal context. These transformative gestures allow for new readings that are not only determined by the logic of the archive, but also by the context in which they are read.

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Baia mArea Network?

September 1, 2016 Constant

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Let’s make our own internets! This workshop explores the differences and similarities between the Internet and a bunch of computers connected by cables. The aim is to start a conversation about how to imagine networking beyond conventional global communication infrastructures and the relations of power they evoke. By connecting our laptops to each other, we will see how any computer can be turned into a server, a node in a network. Through this basic exercise we start to develop a situated knowledge of the networks we use. It performs a direct approach to the communication technology we use everyday without much reflection.

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Call for participation: Diversies

July 1, 2016 Constant

Screenshot from 2016-06-22 23:22:03
DiVersions is inspired by the way versions are inscribed in daily software-practice, and explores how parallel to their conventional narrative of collaboration and consensus they can produce divergent histories through supporting difference. This one week session is organised by Constant and hosted by the Royal Museum of Art and History in Brussels.
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