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Index

Hoe zie je deze aanpak voor jezelf?

April 1, 2011 OSP

Antwoord op de vragen van Mandy Cobussen (ArtEZ Hogeschool voor de Kunsten, Arnhem)

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← acb Postcards from Africa →

← Design practice, Free Software and feminisms. Fed by and feeding into various activities, networks and collaborations ↓ →

Affiliations

a.pass
Active Archives
Akademie Schloss Solitude
Constant
De Geuzen
LGRU
Libre Graphics Meeting
Memory of the world
Mondotheque
OSP
Possible bodies
Samedies
The Darmstadt Delegation
Uncategorized
Ustensile
xpub

Links

Jeanne van Heeswijk

LAFKON Publishing

Constant Verlag A repository of texts from the depth of the Constant Archives

You are here / Vous êtes ici The online guide to Seda-think

Le Syndicat des Robots

GRAPA A journey to the promised land of FLOS publishing

Artwarez Cornelia Solfrank

Amateur Archivist

Potential Estate The most public secret society inspiring new folk rhymes

404: School Not Found

OSP-BLOG Open Source Publishing – Graphic Design Caravan

Archive Cultures

Open Source Video

Revealing Errors We reveal errors that reveal technologies, learning how they affect our lives.

Girls of the internet museum

Feral Trade Trading goods along social networks since 2003

b-l-u-e-s-c-r-e-e-n

rmozone Robert Ochshorn

El museo del autor

Hackerspace Brussels

Sabine Voglaire, Harrisson, Prof Papiko

SICV Scandinavian Institute for Computational Vandalism

Radio Panik 105.4 fm

Martha Rosler Library

Fudge The Facts

Femmes et logiciels libres

Consentsus A critical feminist theory of consent

De Geuzen: a foundation for multi-visual research

Medialab Prado Madrid

OSP Open Source Publishing

Foomarx Reinventing Lorum Ipsum

http://l-o-c-a-l-h-o-s-t.com/

Ludivine Loiseau

Constant Association for Art and Media

Memory of the World The world’s documentary heritage belongs to all

Urban(e)(istiques) Anomalie(ën)(s) Bru(x)(ss)el(le)(s) through the eyes of Peter Westenberg

Speculoos Centre de spécialités graphiques

Open Font Library

Libre Graphics Meeting

Waend A platform for subjective and collaborative spatial publication

Dragan Espenschied

mathieu-g Mathieu Gabiot: Designer Industriel

Manufactura Independente

Information Observatory

Constant Feed

Constant

Iterations Residency 28.05.2019
Iterations researches the conditions of artistic collaboration in a digital context. Conviviality, togetherness, institutions, transitory operating systems, documents as performance and other notions will be investigated by six artists who are invited to think, exchange and experiment together in the spaces of Bozar Lab, Brussels. With: Luis Rodil-Fernández, Maxime Fuhrer, Géraldine Juarez, Martin Rumori, Mia […]
Noises I could not ignore Radio Programme 24.05.2019
On Friday 17th of May, in BNA-BBOT, Yared Yilma presented 12 sounds recorded at the Red Cross refugee centre in Eeklo to Caroline Claus (KU Leuven), Flavien Gillié and Wendy Van Wynsberghe. Together, they analyzed what was potentially heard, the choices of sounds and commented from their particular perspective and field of work. The sound […]
The Bitflipping Mixtape launch 23.05.2019
ATTENTION: Postponed due to a SEU! With The Bitflipping Mixtape, The Flipping (de)Ontologi(ci)sts set out to answer a simple, burning question: What is happening in the forbidden zone? The result was nothing short of a revelation. Finally turning all Truth Tables, The (de)Ontologi(ci)sts burrow into the past and future of Ageing Companions, a worksession that […]
Relearn 2019: Curved 22.05.2019
Relearn is a collective learning experiment with as many teachers as it has participants. It is motivated by the possibility to displace parameters of/for research, studying and learning. This summer, Relearn is back in the form of a curve, transversing multiple times and spaces. Curl yourselves this summer from, to and between Rotterdam, Brussels and […]
The library is open 22.05.2019
Dear readers, The Library Is Open invites you to an afternoon of workshops that make the operations within libraries visible. Join us in exploring the actions and roles of legal and extra-legal libraries (municipal, pirate, academic, +++), their custodians, and the public that form a community around collections of texts. Registration is not necessary, as […]
Constant @ Making Matters 29.04.2019
Contribution to the symposium Making Matters organised by the Critical Making consortium: "Constant is committed to collaborative situations that generate proximate critiques of and through techno-praxis. Twice a year the association initiates a temporary research lab to which participants from all over the world are invited to contribute. The Techno-Galactic Software Observatory and Networks With […]
Noises I could not ignore 25.04.2019
“As a person immensely fascinated by accents and sounds, I have never imagined that one day I would discuss the negative impacts of sounds in my life.” From 24 May until 22 September, Yared Yilma's soundscapes will come to life in the window of Constant. You are welcome to the opening on Thursday 23 May […]
Slow Fermissage 25.04.2019
Wicked Technologies is a project considering the ethics and aesthetics of fermentation in relation to artistic research. This project is developed by Sara Manente, a choreographer, performance artist and amateur fermentress, in collaboration with drawing artist Gunbike Erdemir. On Wednesday 8 May from 15:00 until 18:00 the artists will be present in the office of […]
Release & Publish often 25.04.2019
The Algolit exhibition Data Workers in Mundaneum in Mons has come to an end. Everything was up and running. And it was great. In order to be able to have afterlives, forks and other remixing deviations, we will dedicate one session to documenting the exhibition: gathering code, adding comments and licenses, publishing pictures, reorganising the […]
Naive Bayes raconte 27.03.2019
An Mertens experiments with forms that reveal the identity of algorithms. For this lecture-performance she takes on the "Bayesian naive classifier", an algorithm widely used to sort spam in our mailboxes, to analyze feelings on social media, but also to define whether a text is written by a woman or a man. The performance is […]