Future Tools grew out of a long interest in the relation between tools and practice. The blog runs parallel to activities at the Libre Graphics Research Unit that are developed in collaboration with Medialab Prado, WORM, Piksel and others.
FS @ June 17, 2014
Interesting discussion on whether or not cultural organisations should ‘oblige’ artists to work with free licenses (thread starts with http://nettime.org/Lists-Archives/nettime-l-1406/msg00018.html): “In the end, free culture has been an essential step and great opportunity to sync all sorts of individuals, groups and communities who would probably not have connected with each others, and maybe the recruiting […]
FS @ July 15, 2013
Bruce Mau’s Incomplete manifesto for growth was originally published in 1998. It was recently revisited by students from ERG, Brussels.
FS @ April 2, 2013
… I switch to diary mode this month to record some of the events that are about to happen in Madrid: LGM2013 (10-13 April) and Interactivos?’13 (15-27 April) In Brussels for a few more days, I keep all on-line channels open so I feel in touch with Madrid and can respond to last minute questions […]
FS @ February 15, 2013
FS @ February 5, 2013
More images: http://gallery3.constantvzw.org/index.php/Fosdem-2013
Future Tools ✁ @ December 21, 2012
Brainstorm by participants in the workshop Estación Nómada de Diseño (Libre Graphics Workstation) at Central de Diseño /DIMAD Image: Myriam Cea
FS @ December 14, 2012
Forward compatible toys: The Free Universal Construction Kit
FS @ November 23, 2012
A-synchronous collaboration on what could be an image for Interactivos?’13: Tools for a Read-Write World1
And sketches are being plotted by Manufactura Independente!
Featuring Pierre Huyghebaert, FS, Manufactura Independente, Dia, Inksca…
Future Tools ✁ @ November 21, 2012
Contribution to ‘Perspective: Artist – The position of individual artists in the performing arts in Flanders’ (VTi Institute for the Performing Arts, Brussels) “None of the work that we discuss here is actually hidden, but its dullness and technicality make it prone to blend into the background and it’s only with some effort it can […]
Constant is a non-profit association, an interdisciplinary arts-lab working from Brussels since 1997. The artistic and activist practice of Constant is inspired by the way that technological infrastructures, data-exchange and software determine our daily life.
November 11, 2014
Data can be analysed, correlated and cqrrelated, discussed, visualised, and sonorised. During a live-coding concert Alexandra Cárdenas, a Colombian composer living in Berlin, will cqrrelate some of the data the artists in deBuren experimented with. Afterwards Belgian mathematician and musician Valery Vermeulen offers us a first listening of Krystall Ball, a composition on the base of econometric data, algorithms and models that shape the global financial industries. His sound waves will be (…)
November 11, 2014
During a residency of two weeks in deBuren we start our discovery voyage from two different points. First, we follow the traces of the potato throughout digital architectures of local, national and international databases and policies. Then, we look at algorithms and methodologies for text analysis and pattern recognition. If you would like to participate, please send a motivation to an *at* constantvzw *.* org Contextualisation “Causation is for other people, and frankly it is very (…)
November 11, 2014
Cqrrelations invites data travellers, writers, numbergeeks, visual artists, mathematicians, storytellers, visual artists to explore the world of digital non-relations, paranalysis, blurry categorisations and crummylations linked to our daily reality and language. During a residency of two weeks in deBuren we’ll work from two different perspectives, drawing a dataportrait of a potato on the one hand, and exploring the linguistic methodologies of pattern recognition in large corpuses of text (…)
November 5, 2014
The design caravan Open Source Publishing will host the next Post-Variable-Loop (aka. LOOP) in their brand new space on Thursday 13th November 2014. LOOP is an informal moment for everyone who would like to meet F/LOSS artists, taste their work or present own work, and engage in a discussion around it. If you’d like to present something, fill in a slot on the Variable wiki: http://variable.constantvzw.org/def… LOOP was originally the name of a monthly open door moments at Variable, the (…)
November 4, 2014
Nous vous invitons à découvrir en musique le projet Parlez-vous Saint-Gillois? avec un concert inédit au Bosnilav avec Aurélie Charneux (clarinette) et Silvia Guerra (accordéon), les deux musiciennes d’ Odessalavie ou comment jouer de la musique klezmer pas trop kasher. Plus d’infos sur le duo: http://odessalavie.blogspot.be/
Parlez-vous Saint-Gillois ?
October 29, 2014
This workshop asks how digital tools can refuse strict separations between ‘users’ and ‘developers’, both in the way they are built and how they are put to use. Mixed experience starts from experiments by artists, designers and programmers affiliated with Constant and design caravan OSP. Our tools are sometimes built from scratch, and often combine existing packages in ways that allow actual experiences of and with software. Rooting our work in the culture of Free, Libre and Open Source (…)
Body and software
October 15, 2014
Workshop for tutors at BAU design college of Barcelona. With Gijs de Heij and Eric Schrijvers (OSP). This workshop starts from our experience with using Free, Libre and Open Source software in our (graphic) design practice. We would like to share what this means for our own work, and more particularly how it has an effect on our ideas about design education. Free culture challenges traditional art-education paradigms because it invites participants to move between roles (teacher, (…)
Research and development of free software in collaboration with cultural institutions.
OSP (Open Source Publishing) is an interdisciplinary and international design collective. OSP tests the possibilities and realities of doing design, illustration, cartography and typography using a wide range of Free, Libre and Open Source Software tools.
Colm @ September 29, 2014
Since the early days, OSP has changed form over and over, from asking simple questions right through to organizing week-long workshops to share answers its members have found. There have been a fair amount of turning points in the past, and some of the biggest ones have happened over the last few years. The Variable […]
Colm @ September 29, 2014
We’re happy to be having the next Print Party in the familiar Balsamine Foyer for the second year in a row! This year as part of a new seasonal program, but also smaller parallel program «Nos Petites Madeleines» and along with the 15 day long Quizaine Numérique we’re going to be presenting Hachures Tourneurs. Following […]
Colm @ September 29, 2014
Once again Les Halles are housing the 2014 edition of «Le salon du financement participatif» called Europe Refresh and it looks like it’s going to be a couple of exciting weekends! This year, to maximize the chances of fully funding the projects, the Salon will be set up for a weekend in Brussels then a […]
Colm @ September 29, 2014
Medor is not a dog ! It’s a trimestrial, Belgian magazine of inquiries and stories, 128 pages long. Médor contains long-term investigations, reports and portraits focused on Belgium. Médor digs the heart of issues. It inquires and it is persistent. It takes the time needed to be further, beyond appearances. It seeks to understand the […]
Colm @ September 29, 2014
étapes magazine issue 220 focused on Co-Working, so we were pleased to be asked for an interview for the Portrait section of the publication. In proper OSP fashion, after an initial set of questions from Caroline Bouige, the interviewer, we answered collaboratively, both to the questions and to each other. You can read the full […]
Colm @ April 15, 2014
Good news! Considering how well last years OSP Relearn Summer School went, we’re reiterating and extending the school with all of the people and labs that make up Variable. We’re really exited to be able to make this happen again, especially considering all the extra people that will be joining in this year. Relearn starts on July 6th (Sunday) and […]
OSP @ January 29, 2014
This print party was wildly exciting. Thanks again to the collectif SIN and De La Charge gallery. Find the recipe and generic of the event on the README page of the workshop and download the 2 hits interpreted by our voice Ms. Funzie Korocr, 다누보강의 작울결 Remix 1 and 다누보강의 작울결 Remix 2
Pierre @ March 8, 2013
Thanks Femke! Thanks Constant!
Pierre @ February 26, 2013
↓ Hello, Sorry to disturb you. We are a group of designers working in Brussels, Belgium with free software and we’ve used for 18 months the Ume fonts for the graphical and typographic identity of a theatre. We are preparing a presentation/performance in which we would love to insert some details about the Ume fonts, […]
OSP @ October 22, 2012
OSP > BDM Tonight, OSP public meet will be redirected to Bar du matin at 18.30.
Les Samedies (Femmes et Logiciels Libres) rassemble un groupe de femmes très différentes qui ont en commun le désir d’être maîtresses (ou du moins avoir la possibilité de l’être) des outils et donc des normes qui définissent notre travail avec la machine.
De Geuzen is a foundation for multi-visual research and the collaborative identity of Riek Sijbring, Femke Snelting and Renée Turner. Since 1996 they have employed a variety of tactics to explore female identity, narratives of the archive and media image ecologies. Exhibitions, workshops and online projects operate as thematic framing devices to investigate and test ideas collectively with different publics.
Strict Standards: call_user_func_array() expects parameter 1 to be a valid callback, non-static method SearchExcerpt::the_excerpt() should not be called statically in /var/www/vhosts/geuzen.org/httpdocs/wp-includes/plugin.php on line 163
Edited by A…
A sad time for media arts practices and history – from Laurie Anderson’s classic, “At the Shrink’s: a fake hologram” (1977) to the more recent net art collection of which The Anxiety Monitor was a part of. This chapter in our rich history closes by the end of 2012. What a resource lost, another casualty […]
2-5 June 2011
Layered on-line maps for Mappamundi at the Museu Colecção Berardo (Lisbon, January 2011). Also on display: The Dress of Jeanne Terwen-de Loos and The Dress of Here, There and Other Dislocations.
Workshop with students from the typography masters at the Muthesius Kunsthochschule, Kiel (DE)
Workshop in the context of Open Code vs. Military Culture / Israel Digital Artlab Holon (November 2010)
De Geuzen @ STUK
04/05 – 06/06 2010
9-14 February 2010
De Geuzen participates in Artefact Festival, Leuven (Belgium) with a new version of the Global Anxiety Monitor
Art’s Birthday is an annual event first proposed by French Fluxus artist Robert Filliou. Read more…
Read more about our adventures with electricity, LED’s, typography and skill sharing.
July 20, 2014
Let’s first get things done
On division of labor and practices of delegation in times of mediated politics and politicized technologies
Be it in getting out the call for the next demonstration on some “cloud service”, or developing a progressive tech project in the name of an imagined user community, scarcity of resources and distribution of expertise makes short cuts inevitable. But do they really?
Hosted by Seda Gürses, Miriyam Aouragh, Femke Snelting, Jara Rocha
4 August 2014
Worksession part of Thinking together @ Mathildenhöhe, Darmstadt (DE)
March 24, 2014
He said: I would type my first name into a search engine, and than make up biographies with the images found.
January 1, 2014
Fathers of the internet
Belgium universalist, pacifist and documentalist Paul Otlet was recently recognized as ‘a founding father of the Internet’ by Google evangelist Vincent Cerf. While socialist Prime Minister Elio di Rupo lured the multinational to build a gigantesque datacenter in the region with the help of subsidies and tax-cuts, Google adopted the remains of Otlet’s archive in Mons. An ongoing investigation.
October 15, 2013
Free Libraries for Every Soul
Hacker/cyber-librarian Marcell Mars, researcher Edwin Gardner and the association for arts and media Constant invite you to a 24h hackathon where we’ll work on shapes, platforms and workflows that facilitate free access to books. Graphic designers, hackers, interface-designers, librarians, independent bookpublishers, webdevelopers and programmers … if you have skills and/or ideas related to DIY-printed matter, e-books, OCR, peer-to-peer libraries etc. please join us and contribute to a 21st century incarnation of Melvil Dewey’s dream!
September 27, 2013
Differences that matter
Thinking through practices of sharing and collaboration that are inspired by the culture and cult of Free Software.
September 16, 2013
“Imaginez que les logiciels seraient des outils à penser, des instruments à développer l’imagination, qui pourraient produire des nouvelles idées?
Elective course for ERG, Brussels /files/Toolbending_2014.pdf
August 12, 2013
Never-ending undo is an attempt to think through specific practices of sharing and collaboration that emerge in creative digital work inspired by the culture and cult of Free Software. It explores the ethics and aesthetics of this iterative, reversible and promiscuous type of practice.
Project proposal for Schloss Solitude: /files/neverendingundo.pdf (spring and fall 2015)
April 17, 2013
Experiments with the order of the alphabet.
March 24, 2013
The Death of the Authors (2012 edition)
The Death of the Authors is a generative novel made with Python and nltk, based on texts by Virginia Woolf, James Joyce, Rabindranath Tagore, Elizabeth Von Arnim, Sherwood Anderson and Henri Bergson, some of the authors we welcomed on 1-1-12. The print publication was presented on the Public Domain Day event in Bibliothèque Royale, Brussels, Belgium (With An Mertens).
May 29, 2011
The filing cabinet and other stories
[Merz Akademie Stuttgart] Dealing with database forms, filing-cabinets and Resource Description Frameworks, archivists carefully prepare objects before they can enter the archive. This talk knits together snapshots of archival work, zooming in on the specialist tools that support such a process of fitting, the serial micro-decisions which ultimately define any collection.
May 17, 2011
a romance of many dimensions
Imposition plays a key-role in a pre-press workflow. Working with the constraints of paper size, creep and standard folding plans, imposing is also an act of imagination, a fantasy about the potential of a digital object to become physical and vice versa.
April 1, 2011
Hoe zie je deze aanpak voor jezelf?
Antwoord op de vragen van Mandy Cobussen (ArtEZ Hogeschool voor de Kunsten, Arnhem)
February 23, 2010
Scenes of pressure and relief
Texts performed and added to on various occasions since 2007
February 3, 2010
Add some Anarchist Feminism to your YouTube comments (Firefox Greasemonkey userscript)
November 2, 2009
Emma Woodhouse, handsome, clever
“Emma Woodhouse, handsome, clever, and create derivative works of. 9. We can analyze your application. We can remove any ad for any purpose, including Connect sites. * Payment Terms: These guidelines outline the policies that apply to users. 5. If any portion of this Statement must be the difference between a Mrs. Weston, only sixteen miles off, was always disagreeable”
August 27, 2009
Playlist (caleidoscope version)
Developed with Michael Murtaugh for De Geuzen Feed: project.
Download scripts: /files/playlist.zip
February 15, 2008
As the commander of an army
Python script running through Isabella Beeton’s Book of Household Management.
Download script: /files/isabella.zip
January 1, 2008
Een performatieve lezing die aan de hand van kookboeken, manuals en magische formules de parallel tussen code en recepten onderzoekt.